Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.

后电影是指一种新的电影制作方式。现在是时候问一问这种新颖性是完整的还是相对的，并评估它在多大程度上代表了一种单一的或多样化的潮流。本书建议将后电影问题纳入后艺术问题，以研究制作电影图像的新方式。这个问题将从三个层面来考虑：后艺术对 "常规 "电影的印象；同样的电影的 "重新定位"（Casetti），可以在或多或少脱离影院处置的条件下使用各种设备观看；电影以各种创作和展览形式融入当代艺术，与当代艺术融入 "常规 "电影平行。