From the Academy Award--winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award--nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to "Kaufman films" the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter.The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman's work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman's innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism.

从获得奥斯卡奖的《心灵深处的永恒阳光》（2004年）和获得奥斯卡奖提名的《改编》（2002年）到经典的《成为约翰-马尔科维奇》（1999年），作家查理-考夫曼因其创新和具有哲学共鸣的电影而受到广泛赞誉。尽管他最近才首次执导了《纽约故事》（Synecdoche, New York）（2008年），但大多数影迷和评论家在提到 "考夫曼电影 "时，都会像讨论伍迪-艾伦、马丁-斯科塞斯或科恩兄弟的作品那样。考夫曼不仅改变了我们对电影中可能发生的事情的感觉，而且还对我们对编剧角色的理解产生了重大影响。《查理-考夫曼的哲学》由大卫-拉罗卡编辑，是第一本专门对考夫曼的作品进行严格的哲学探索的论文集，由来自不同学科的有能力的批评性学者组成。从政治理论家到哲学家，从古典主义者到神学家，从文学教授到电影制作人，贡献的作者们深入研究了考夫曼创新剧本的核心，不仅提供了原创的哲学分析，还对电影和电影批评的性质进行了扩展反思。

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