Represents the range and diversity of writings on dance from the mid-to-late twentieth century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.
Content: BOOK COVER; TITLE; COPYRIGHT; CONTENTS; CONTRIBUTORS; ACKNOWLEDGEMENTS; 1 ROOTS/ROUTES OF DANCE STUDIES; PART I: MAKING DANCE; 2 CHOREOGRAPHERS: Dancing for de Valois and Ashton; 3 TORSE: There are no fixed points in space; 4 RECOVERING HURSTON, RECONSIDERING THE CHOREOGRAPHER; 5 REWORKING THE BALLET: Stillness and queerness in Swan Lake, 4 Acts; 6 MAKING SPACE, SPEAKING SPACES; 7 REFLECTIONS ON NEW DIRECTIONS IN INDIAN DANCE; 8 WHAT'S IT WORTH TO YA? ADAPTATION AND ANACHRONISM: Rennie Harris's PureMovement and Shakespeare; PART II: PERFORMING DANCE; 9 I AM A DANCER

Abstract: Represents the range and diversity of writings on dance from the mid-to-late twentieth century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance. Read more...

代表了20世纪中后期舞蹈著作的范围和多样性，提供了关于芭蕾舞、现代舞、后现代 "运动表演 "爵士舞和民族舞蹈的当代观点。

内容。书籍封面；书名；版权；内容；作者；致谢；1 舞蹈研究的根基/路线；第一部分：制造舞蹈；2 舞蹈编导。为德-瓦卢斯和阿什顿跳舞；3 托尔斯。空间中没有固定的点；4 恢复赫斯顿，重新认识编导；5 重塑芭蕾：《天鹅湖》中的静止和同性恋，4幕；6 创造空间，说话的空间；7 对印度舞蹈新方向的思考；8 这对你有什么意义？适应和反响：Rennie Harris的PureMovement和莎士比亚；第二部分：表演舞蹈；9 我是一个舞者

摘要：代表了20世纪中后期舞蹈著作的范围和多样性，提供了关于芭蕾舞、现代舞、后现代 "运动表演 "爵士舞和民族舞蹈的当代观点。阅读全文...